Celebrating Lino Tagliapietra in Stockbridge!

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July 6&7, 2017, we celebrated the Maestro in Stockbridge with all our friends! Continue reading

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2017 June Weekend Glass Demo Photo Album

This gallery contains 31 photos.

Thank you Amy Lynn for these nice photos of the 2017 Schantz Galleries Collectors Weekend Glass Blowing Event, hosted at Hoogs and Crawford.             

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Made in N.E.

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Dante Marioni and Preston Singletary | Collaborators

View Catalog On our Website

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Curating an Exhibition at the Morris Museum

“Although Lino embodies centuries of Venetian traditions in glass-making techniques, he also continually quests to bring new ideas and approaches to the medium”  –Jim Schantz, director of Schantz Galleries in Stockbridge, Massachusetts.

“The boldness of his vision is why he’s so widely celebrated, married with that technical virtuosity. It’s this combination of tradition and innovation that really sets Lino apart from pretty much anybody else working in glass.”   Andrew Page, managing editor of GLASS Quarterly

It began over a year ago with a conversation between a gallerist and a collector; Jim Schantz and Alan Levitan.   Alan asked after learning that Jim had curated the show at the Bergstrom Mahler Museum of Glass, “How about a show of Lino’s work at the Morris Museum?”

“Of course!” Jim said, “… and we can help with it!”

After hundreds of hours and many phone calls, meetings, committees, detailed lists of arrangements,  The Morris Museum currently showcases a selection of the maestro’s works in the exhibition, Lino Tagliapietra: Maestro of a Glass Renaissance through June 18th. The show features 30 pieces hand-picked by Morris Museum curator Alexandra Willis and Jim Schantz, director of Schantz Galleries.

For the first few months, it was a back and forth between Jim, Alex, and Alan in the beginning, choosing the work from our inventory, deciding which pieces to exhibit, and how to best utilize the space, pedestals, vitrines, and lighting.  After the work was chosen and finalized, Kim Saul, Director of Publications at Schantz Galleries, worked on the catalog.

View Catalog onlineView online catalog.

The exhibition chronicles the past 17 years of Lino Tagliapietra’s career. It includes a survey of his classical Venetian forms and canework, plus a range of examples of his experimental works. Pieces like those in his Dinosaur series meld sculpture with painting, as color and form accentuate and heighten the aesthetic response.

Dinosaur, 2015, 21.5 x 13 x 4.5″

Dinosaur is a seminal work of Lino’s that has become an icon in his repertoire; it’s become a signature form which he goes back to from time to time, while exploring new approaches of essentially ‘drawing’ or ‘painting’ with the glass cane material.

Lina Tagliapietra, Alan Levitan, Lino Tagliapietra, Melanie Levitan and Jacopo Vecchiato, Managing Director for Lino… as well as grandson!

Despite his worldwide acclaim and extensive exhibition record, the Morristown display represents the first solo museum show of Tagliapietra’s work in the New York, New Jersey metropolitan area. This has been a great opportunity for both Lino and the Morris Museum to present this work to both seasoned aficionados and those art enthusiasts new to the medium of glass. In both his life and work, Tagliapietra represents a living bridge between hundreds of years of Venetian glassmaking traditions and the experimental improvisations characteristic of the contemporary glass art movement.

Lino at Schantz GalleriesClodia, 2016, 28 x 12 x 6″

Although Lino embodies centuries of Venetian traditions in glassmaking techniques, he also continually quests to bring new ideas and approaches to the medium. He’s been greatly responsible for the incredible growth in the field of contemporary glass as an art form throughout the past 40 years.

Stelle di Neve, 2015, fused glass panel, 18.75 x 18.75 x 1.5″ Previously exhibited at Bergstrom Mahler Museum of Glass.

The exhibit spotlights Tagliapietra’s work from the 21st century. Since reaching “retirement age,” Tagliapietra has embarked upon a particularly productive period in his career, consolidating and advancing innovations and breakthroughs from earlier times. When curating this exhibition, it was important to focus on works that Lino has created since age 65. During this period he has not only created some of the greatest classical works, but some of the most innovative of his vast career.

Barene, 2012, 48.25 x 27.75 x .75″

The Morris Museum will host a number of special events in conjunction with “Maestro of a Glass Renaissance,” including “The Magic of Glass Through Time,” a historical perspective by Patricia Elaine of the Morris County School of Glass on Wednesday, April 19; a lecture titled “From Murano to Seattle: Lino Tagliapietra’s Journey” by GLASS Magazine Editor, Andrew Page on Sunday, April 23; a “Ladies Night Out” on Wednesday, April 26; and a tour through the exhibition conducted by Jim Schantz on Wednesday, May 17.  Details and ticketing for these and other events are available at the museum’s website.

Tagliapietra and Schantz led a preview tour at the exhibition.

For more information on these or any works in the exhibition, please contact Jim at Schantz Galleries. jim@schantzgalleries.com

Chiocciola, 2008, 16.25 x 18.75 x 7.5″

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Chihuly Gifts Artwork at Tacoma’s Union Station

 

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Chandelier and the Monarch Window at Union Station

Now more than ever, we feel compelled to find and celebrate the good in order to stay hopeful. We are very excited to share the news with you that in late January 2017, Dale and Leslie Chihuly gifted artwork at Union Station (Tacoma, Washington) to the United States. Mayor Strickland and the representatives from the GSA and the Tacoma Art Council recognized Dale and Leslie with a certificate of appreciation, and thanked them for making this amazing body of work accessible to everyone. Dale dedicated the work in memory of his father George, his mother Viola, and his brother George.

Click play for a preview and/or click the link to watch the full video Chihuly at Union Station.

It’s so great that Leslie and I could donate these installations to the GSA so people will forever go into that beautiful restoration and see my artwork there and the beautiful views of Mount Rainier… – Dale Chihuly

Thank you, Dale and Leslie, for your generosity and inspiration.

Click here to watch the full video on Chihuly’s Vimeo page.

To see more of Chihuly’s work, click here.

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STANKARD RELEASES OUTSTANDING NEW BOOK—STUDIO CRAFT as CAREER

We are honored to represent and know Paul Stankard, and looking forward to three new pieces by him this arriving at the gallery this week! Until then, we are announcing his newest book, sure to be collected by artists and art collectors alike.

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Paul Stankard, internationally renowned glass artist, recently published his third book, Studio Craft as Career, A Guide To Achieving Excellence In Art Making.  Stankard crafted this verbal artistry with two distinct purposes in mind.  The first half of this superb resource offers readers a special insight into Stankard’s career, his personal journey that led him to find his niche and allowed him to grow and reach his full potential as an artist.  In the second half, Stankard presents biographical career information and advice from a broad cross section of well-respected artists, who, along with Stankard, are important to the contemporary American craft landscape.  The outstanding photography selected by the author, serves to enhance and enrich the words of experience and wisdom offered by the author.

Stankard wrote this book to be a provocative text filled with harsh realities and dreams that fill the life and work of an artist.  The book was conceived to share personal experiences and offer direction for career growth.  Stankard thoroughly enjoys teaching and sharing his craft in his role as the Artist in Residence and Lecturer at Salem Community College.  He inspires students to search for their individual creative spirits and reach their full potential in life.  This book reflects Stankard’s passion for teaching.

Stankard is also the author of No Green Berries of Leaves:  The Creative Journey of an Artist in Glass; and, Spark the Creative Flame:  Making the Journey from Craft to Art, both highly acclaimed by the academic and literary communities.

Lampwork encased in 4" orb

Paul Stankard, Meditation in Herman Melville’s Garden, 2016   Lampwork encased in 4″ orb

About Paul Stankard           

Paul Stankard’s work is represented in more than 60 museums worldwide.  A pioneer in the studio-glass movement, Stankard is known for interpreting native flowers in small scale glass sculptures.  His work explores and interprets color, texture and delicacy while continuing to examine and celebrate the fecundity of the plant kingdom. He is a Fellow of the Corning Museum of Glass, Fellow of the American Craft Council, and received the coveted Urban Glass Award – Innovation In Glassworking Technique. Stankard has been recognized with Masters of the Medium honor by the James Renwick Alliance affiliated with the Renwick Gallery, Smithsonian Institute, Washington D.C. and was also awarded the Glass Art Society’s Lifetime Achievement Award.  Stankard and his wife Pat live in Mantua, New Jersey.

 

 

 

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